eStudy Blog
Technical Know How
Technical Know How
Sep 8th
Sure it is a compromise, but you will be amazed, how far it can take you, when it is done right.
To start with, the picture quality of most still cameras is similar to a camcorder of the same specification. There could be some limitations what the lens concerns, but on the other hand you have a camera, which fits in your shirt pocket. That is convenience. At the same time you have a camera handy, which takes excellent still shots. If you are like me, who takes a lot of pictures and the occasional video clip, a little point and shot camera is the ideal solution for holidays or any other event.
There is a setback though. Since these cameras don’t have a good image stabiliser, it is important to hold it steady with some sort of mechanical support or use a little table tripod.
Filming yourself couldn’t be much easier. Position the camera with tripod, choose the right framing with the zoom and switch on the self-timer. Any excess footage at the end of the video clip can be cut in post production.
Post production
The recording format of digital still cameras is handled by most editing software. Since you recorded with a still camera, I can imagine that you have a good mix of still photos and video clips on your memory card, which you want to use in your video production.
Summary
Personally I like the convenience of shooting video out of my shirt pocket during holidays. However, I would like to point out the importance of tripod for proper image stabilisation again.
If you want to learn more details about post production, read my article ‘Budget Video Production – A Step by Step Guide’ or visit me on my camcorder blog.
Sep 7th
A must read before you get started
This is a tricky question, even for the technical experienced person.
You may have seen camera repair videos on U-Tube, which make it look so easy and straight forward. But is it really?
Let’s have a closer look and start with common sense. Firstly, an expert in any field of endeavour can make it look so easy, that’s why he/she is an expert. Secondly, most videos are well prepared, rehearsed and edited for best results. Now, let’s have a closer look at the details.
Even during my 25years experience I sometimes have challenges in completing some repairs. This doesn’t have to be a technical or knowledge problem, it could be a general and basic issue like the availability, or over the moon prices for a service manual, spare parts or special service tools and equipment.
Let’s get technical
First of all you may want practice disassembling and assembling a camera, which is written off. So if you can’t pull it apart properly or have problems in putting it back together, it doesn’t matter. Keep in mind that assemble procedures can be unique to every camera model. Screws can be hidden even under stickers and doors. Housing parts are often clipped together. You have to apply the right amount of pressure to pull it apart.
If you are new to this, I strongly suggest you document every step with a camera. This will help, when you put things back together.
Before you get started with a camera repair, be aware, the following things can happen:
Preparations before you start working on your camera:
Summary
If you are new to camera repairs, use the points and steps above as a guide.
Start with a cheap camera you can afford to write off, if things go wrong.
I wish you great success with the camera repair. If you do get stuck or even before you start, take advantage of our ‘Free camera advice‘section on our camcorder blog.
Sep 7th
Video filming and photography can be a complex task these days. It is not just the camera itself, there is a computer, software in post production and often the internet for sharing your photos and videos involved. What do you do, if you if you can’t get the results you want, or the whole setup doesn’t work at all? Or you just started and don’t know what to buy or set it up.
Of course, there are specialists for computer sales and service, camera sales, less for camera repairs and video editing. What do you do, when you don’t know the cause of any setup issues, or you not sure, what you need to accomplish a certain task in the most effective way. What I mean here is, often you can’t tell, if the problem is caused by camera, computer or software.
When you are in the market for a new setup, you don’t need the most expensive camera, the fastest computer and most sophisticated editing software to publish a short holiday video on U-Tube.
The thing is, once you go to a camera-, computer- or software retailer, you will find, that their area of expertise is just what they sell in the shop. To make things worse, they try to push you towards the promotion of the week, which is not necessarily what you need. Advice from friends and family is often outdated or reflects any sales person and brochure advice, which is most of the time biased towards a certain product.
In case you have an hardware issue with your camera, an internet search perhaps reveals, that other people have a similar problem and may talk about a solution, but to follow through and rectify your issue is a whole new story altogether.
Once you have found a camera repair centre and call it up for advice, in most cases you can’t get past the receptionist, who suggests to book it in for a quote, which costs between $50 -$100.
This could be a tricky situation if you have an older camera, where this fee is already a third or a quarter of the replacement value of the camera. If you do go ahead, the chances of an expensive repair bill or even an uneconomical repair is possible. Of course it doesn’t have to be this way, a simple repair or an adjustment could rectify your camera problem.
I have spoken to a lot of people who didn’t do anything and left it unrepaired for a few years. Once they heard about ALL-CAM, they took advantage of the ‘Free Estimate’ service to sort out their camera problem. Here is the good news: besides very, very competitive rates ALL-CAM Cameras and More gives free assessments and repair estimates.
ALL-CAM /e-Study takes it’s even a level further. On our blog website you find ‘Free online Camera advice’ many free videos and articles around the topic camera care, how to… filming tips and tricks and much more.
Furthermore, the e-Study website features in depth DIY courses, e-books and podcasts about the exciting world of Film and television technology.
With these products you can learn from home at your own pace or even supplement your official filming education.
Summary
The one address for all your camera issues
Aug 23rd
Sunset and sunrise scenes can look quite spectacular whit the different shades of red and unique cloud patterns. Timing is of essence, since light conditions can change sometimes by the second.
Challenge
During sunset the diminishing light can make objects and people appear like silhouettes.
To make things worse, Pint & Shot cameras in ‘Auto mode’ can fool you with regards to the picture exposure. Let’s say you frame a person or a group of people against an underexposed background, the flash wants to compensate the exposure. Since most inbuilt flashes work only indoors or within a couple of meters effectively, the picture as you see it on the screen will be recorded darker.
Solution
There are a couple of things you can do to optimise results with your camera. The easiest and quickest solution is to turn off the flash altogether. This way you capture the scene at least the how you see it on your preview LCD-display.
Secondly you might be able to enhance the recording or achieve a special effect with a certain exposure preset and/or tripod.
OK, that is nothing new for most of you. Here is a trick for instant and outstanding results. It is not Photoshop in post production.
Trick
If you have a pair of sunglasses, place it in front of the lens and check out the LCD screen on your camera. Depending on your sunglasses, you can see a spectacular sunset on your camera before it is happening for real. This way you have a much better control the cameras exposure and see more definition in persons and objects. Start to experiment early during sunrise and sunset period, as some sunglasses can make a serious impact on colours an overall exposure. You may get the best shots while the sun is still up or just starting to set in the horizon. Wait some minutes after the sun has disappeared. Often the afterglow of the sun reveals the most amazing cloud patterns.
Summary
Please keep in mind that any twilight shots can be difficult to get right. Shots in magazines and TV are taken with professional cameras, manual adjustments and often enhanced in post production. So if you don’t have the equipment, time and knowledge, go ahead and use the sunglasses. If you don’t tell, probably nobody will notice it.
Next time you shoot sunrise or sunset pictures, try it out and brag about an incredible sunset you had experienced.
You always can take a picture without glasses to show the difference.
Aug 2nd
In our quest for good images, we often forget how important sound is to our production. Bad sound can ruin any image. Even the greatest sound cannot salvage bad visuals, but good audio can enhance almost any scene. Of course you can go out and purchase the most suitable type of microphones and set it up for best performance. However, if you don’t follow the guidelines in this article, the results still can be less than satisfying.
Some fundamentals for Audio recording
Focus control
Some camcorders have manual focus controls situated dangerously close to the camera’s built-in microphone. You might not see this as a problem, but try fiddling around with the focus while the camcorder is recording, and you will soon discover, that handling noise is picked up on the soundtrack.
To overcome this, make sure, that you focus your shot correctly before pressing record. This way, you will not only have a perfectly sharp shot, but your soundtrack will be free from unwanted noise.
Get the background – or ‘wild’ sound
Professional sound recordists always record a minute or so of background noise (known as ‘buzz’) at each location. This is particularly useful when you are cutting a dialogue where the background sound of the scene might be changing.
Headphones
If you want to hear what your camera hears, plug a set of phones into your camera to listen how it sounds. Remove them once you happy with the result.
AGC can be bad (Automatic Gain Control)
This feature makes the microphone hear things in a quiet environment what you and I cannot. It will even try to enhance its hearing to find something to record, like the air-conditioner or its own camcorder mechanism. Find the controls, where this feature can be disabled and manually adjusted.
Sound check
This is a simple but effective check. Try to gauge how your on-screen talent will sound, and how well the microphone or camera is positioned.
More helpful Tips for recording great audio
1. Use an external microphone
You pick up less mechanical noise from your camcorder (drum, tape transport, zoom and focus
motor). You can even use a microphone with a more suitable characteristic.
2. Place the microphone close to the talent
This way you will limit ambient noises and disturbances.
3. Listen through headphones while you shoot
You need to know what the camera hears. It can be quite different depending on the noise levels
and AGC settings.
4. Keep hand movements on the camcorder to a minimum
As discussed earlier, it not only influences your scene composition negatively, but also creates
handling noises, which can be picked up by the microphone.
5. Use a handheld microphone for man-on-the-street interviews
That is the way to go, if you want to get your microphone really close to the talent.
6. Use a wireless microphone to avoid cable hassles
This is a more expensive option. However, it is easy to set up and gives you much more flexibility
and very good results.
7. Keep audio in mind, when scouting locations
Wind noise can be very dominant and annoying. It is therefore prudent to make use of a decent
wind-screen or a barrier on the windward side of the camera when shooting outdoors.
8. Do not move microphone cables while recording
Depending on your equipment and set-up – too much movement can cause interference in your
audio.
9. Avoid long cable runs to minimize interference
This is sometimes a matter of trial and error to get the best results.
Summary
If you would like to improve the audio and have more impact with your video production, start by implementing some of the rules, tips and tricks outlined in these articles.
Jul 21st
What is the reason, that the audio on our videos sounds often so much different as we have heard it during the recording of our footage? Without getting too technical, I would like to explain the principles of electronic sound recording. Once you understand how a microphone works, you can use it in ways to improve your audio track.
The two main characteristics, which determine the sound, is the polar pattern or directivity of the microphone and the sensitivity (volume), which is controlled by the electronic circuitry.
Capsule design and directivity
A microphone’s directionality or polar pattern indicates, how sensitive it is to sounds arriving at different angles about its central axis. Let’s have a look at a simple microphone device for converting sound into electrical energy. Its basic component is a diaphragm, that responds to the pressure or particle velocity of sound waves.
The inner elements of a microphone are the primary source of differences in directivity. A pressure microphone uses a diaphragm between a fixed internal volume of air and the environment, and responds uniformly to pressure from all directions, so it is said to be omnidirectional. A pressure-gradient microphone uses a diaphragm, that is at least partially open on both sides. The pressure difference between the two sides produces its directional characteristics. Other elements such as the external shape of the microphone and external devices such as interference tubes can also alter a microphone’s directional response. A pure pressure-gradient microphone is equally sensitive to sounds arriving from front or back, but insensitive to sounds arriving from the side, because sound arriving at the front and back at the same time creates no gradient between the two.
The characteristic directional pattern of a pure pressure-gradient microphone is like a figure-8. Other polar patterns are derived by creating a capsule, that combines these two effects in different ways. The cardioid, for instance, features a partially closed backside, so its response is a combination of pressure and pressure-gradient characteristics.
Polar patterns
An electronic circuitry controls the volume and sensitivity of the microphone and sound.
Below are some terminologies as used by professionals. Please keep in mind that any poor sound captured during production can be salvaged during post production.

AGC (Automatic Gain Control) is a circuit to automatically adjust a microphone’s gain (volume) to prevent too high levels, causing distortion or to raise sensitivity to hear quiet noises. It goes as far as an inbuilt camcorder microphone picks up the mechanical noises of a tape or disc drive. In this case it is a good idea to use an external microphone, which is positioned further away from the camera and closer to the action.
Below are some terminologies explained as they are used by professionals.
Audio Jargon
Ambient Sound
Background audio of a given environment. On-camera dialogue might be primary sound; traffic noise and refrigerator hum would be ambient.
Hiss:
Interference in audio recording, result of circuit noise from a playback recorder’s amplifiers or from a tape’s residual magnetism.
Lavalier:
A small microphone, that can be worn around the neck on a cord or clipped to a shirt.
Noise:
Unwanted sound or static in an audio signal.
Pickup Pattern:
Defines a microphone’s response to sounds arriving from various directions or angles.
Sound Bite:
Any short audio segment for use in an edited program – usually a highlight taken from an interview.
On this microphone the pattern can be influenced by turning the knob from “tele to wide”.
Signal-to-Noise Ratio (S/N):
Relationship between signal strength and a medium’s inherent noise. Audio S/N specifies amount of background tape hiss present with low or no-volume recordings. Higher figures represent a cleaner signal. Usually cited in decibels (dB).
Wild Sound:
Audio recorded independently of picture i.e. rain on roof or clock.
In the 2nd part of this article I will elaborate, what you can do and how to apply several techniques to enhance audio in your video production and how poor sound captured during production can be salvaged in post production.
Jul 14th
You have replaced the batteries and the remote control is still not working, or just some keys don’t work. What else can I do? In most cases it is the remote control itself causing the trouble.
Why, somebody sat on it, it has been dropped, or some liquid has been spilled on it.
Since with most consumer electronic items an infrared system is used, we need to find out, if the remote is transmitting infrared light. That is easy. Find your camcorder or digital camera, position it in front of the remote controller and press the buttons. When the remote works, you see a pulsating light from the infrared diode behind the controller window.
Follow the steps below, if no light at all or only with some buttons.
Most controllers consist of two housing parts which hold a circuit board between them. Unclip top from bottom of the housing with a couple of screw drivers.
Firstly tension the battery terminals with a pair of pliers to ensure consistent power supply for the circuit board.
The keyboard is mostly made up of two parts, the circuit board itself with open contacts and a special rubber mat, which is positioned on top of these contacts.
It is dirt and liquid residue on the rubber mat as well as on the circuit board contacts, which is causing most of the problems. If you can use isopropyl alcohol, or any other cleaning fluid which doesn’t leave residue. Carefully wipe the whole circuit board and rubber mat with cotton buds or a clean tissue. Once the contacts on both sides are clean and dry, align the rubber mat with the contacts on the circuit board and assemble the controller. Check all buttons with your camera. If all light up the LED, you can go ahead and try the remote control on your CD-Player, camera, TV or…
By following this procedure, you have a good chance to keep your old remote controller in a good working condition.
Jul 6th
Technician Camera Advice
This is not the usual camera test report, which ends up with a list of camera recommendations to buy. Rather, I would like to give you camera advice and the tools you need to choose your next digital camera today and in five years from now. Let’s face it, there are hundreds of different cameras to choose from and the manufacturers release new models every month. To make matters worse, most retailers stock different models, which makes price comparison almost impossible.
When it comes to choosing a new digital camera, you want to have knowledge on this subject, which can be applied as a foundation, before you start choosing brands and models.

shock and water proof extendable lens inbuilt lens
Choose the type of camera first!
It happens all the time – I see it almost every day. People come and see me with faulty point and shoot digital cameras, which have self induced faults. The good news is, that most of these expensive problems could have been avoided, when you had chosen the right camera type, which fits your lifestyle, and had taken the right precautions of course. The bad news is, these faults are not covered under warranty and are often uneconomical to repair!
What is a self induced fault? Sand -, liquid- and shock damage
What is an uneconomical repair?
The most common symptoms, or let us say parts, which brake, are LCD displays and extendable lenses. LCD’s are made of glass and exposed often without any protection. Lenses are in most cases none serviceable items and need to be replaced as a whole unit, which is extremely expensive. Spare part prices can make up to 50% and more of the price you payed, when the camera was new! Given the price decline and the improved performance of new cameras, you can work out by yourself, were you want to spend your money.
What to look out for when choosing your new camera?
To get the most out of your investment, choose the type which suits your lifestyle best. Let’s put the earlier paragraph about self induced faults into consideration and assume we distinguish between 3 types of point and shoot cameras. Cameras with…
If you have a personal preference for a camera with an extendable lens, you must take special care of it, to avoid any damage to the lens. (details here)
In case you have kids and multiple users, who might be a little rough with the handling of the camera, the best return on the investment is given with a water and shockproof camera. Personally I use a camera with an inbuilt lens, which hasn’t given me any problems whatsoever.
Accessories
Do you want to upgrade your camera with a newer model of the same brand and hoping to use your old accessories like battery or memory card? In most cases you can’t. Different physical shapes and electrical specifications make it impossible.
Features
Now, we are talking purchase price. More megapixels and optical zoom is not all! Often specifications are pushed to the limit and performance is sacrificed. Let me explain: to take a good shot with a high megapixel and let’s say 10x optical zoom camera without tripod requires a lot computer power. Often it can take a few seconds of shutter lag and the results are still not satisfying. What I am saying is, to have a good performance/specification camera you have to pay the price and go for a semi-professional or DSLR camera. However, the most shots indoors are taken in wide-angle lens setting and outdoors you use the same, most cameras handle these shots without any issues.
The best insurance from disappointments is to test the camera by yourself under different light conditions and zoom settings. (more details here).
Test reports
Make sure, the cameras tested are readily available and the test topics make sense and are relevant for you. See it as a guideline only.
What is a good brand?
This is hard to say from a repairer’s point of view, we only see the faulty ones. When looking underneath the brand badge and housing, it is almost impossible to see if a ‘brand name’ stands out with better workmanship. All I can see is, that mechanical components seemed to be done more out of plastics and the way they have been put together looks and feels cheaper as it used to. All the improvements, which lead to better specifications, go into more powerful electronics and computer chips. Therefore manufacturer costs can be reduced to a minimum. Today, it is not as expensive as it used to be to manufacture a relative good new camera or release new models, which explains the ever increasing flood of new cameras.
What the reliability of the different brands concerns, I couldn’t recommend one or the other, as long as you compare cameras in the same price bracket. A lot of spare parts have Chinese writing on the boxes, which makes me wonder, where there are coming from and where the cameras are manufactured.
Summary
Here you go – this is an opinion and camera advice from a repairer. I hope, it was helpful and has shed some light on this almost overwhelming task to purchase a new camera. There are certainly a few points above, which should be elaborated on. To get the full picture, visit me on my blog for a few more pieces of the puzzle. At the end of the day you want to educate yourself to be able to apply more common sense to make better decisions.
It is not always the cheapest price what matters, you want to have the right type of camera and value for your money.
Jul 2nd
Students and experienced professionals in the video industry will find technical knowledge beneficial, as it helps to enhance your production skills and get the most out of your equipment. Discover how to tackle the technical challenges of making short films and videos, and help make every film you make a great one.
Why and how can you benefit?
I can’t stress this point enough; technical Know How gives you the flexibility to improvise, when things are not necessarily go according to plan. You can learn and adopt yourself faster, when working with new equipment. Advance your film making skills to the next level.
What is the purpose and benefit?
Know the operation and adjustment of a professional camcorder to a full production set-up including:
What topics should be covered?
To be really effective with your work, you should have the knowledge of:
Camera Functions (professional controls) Professional Video
ATW (Auto Tracing White Balance) Camera controller
AWB (Auto White Balance) & Preset White Tele prompter
Adaptive Highlight Control Formats
White Clip XDCAM / SD / HD / EX
Zebra Production
Black Balance Workflow & Equipment
Black Clip Professional Disc Media
Black Gamma Workflow and Editing
Black Shading Camera control configuration systems
Colour Bars TV Network
Sub-carrier Phase Control/Horizontal Event shooting
Phase Control
Crispening & More…
How to acquire the right knowledge?
Find a complete and thorough reference, that will teach you how to get the most out of your professional camcorder. Work with a guide on how to troubleshoot issues when filming, and how to set up a production shot.
Complement your film school knowledge with the technical aspects of film making.
A film school or college alternative when you need the education, not the degree
Don’t have the time and money to go to school.
Do you need to have results fast?
Do you prefer to learn at your own pace, whenever you want?
How about a home-study with various forms of delivery?
The benefits of a home-study:
Summary
For beginners, intermediate and advanced camera users a television production home study course will provide the final piece of the puzzle. Once completed all three parts of the home study, you will understand all aspects of filming: Television technology, colour reproduction and TV production. Thorough, affordable and simple to use, this is the answer for those, who want to enhance their technical and production skills.
A straight to the point, affordable and simple to use home study course can be your alternative
or better complementary technical education to college or film school.
Remember, extraordinary results is no accident, applied knowledge makes all the difference.